| 
      | 
      
	  
	  
	
        
          | New Rhetoric Instructors  | 
		 
		
           
            Many instructors teach students the meaning of the terms logos, pathos and ethos. Others teach students to rhetorically analyze a text without ever mentioning them. See below for a couple of arguments for and against teaching the terms from experienced rhetoric instructors. If you have an opinion, and want to get in on this debate, e-mail your argument for or against to deirdre-egan@uiowa.edu and we'll get you up here.   
               
                Argument Against: 
            My first experience of trying to teach students in my 10:001  section the terms ethos, logos and pathos was also my last.   Maybe I never gave myself the  chance to hammer out the problems in my teaching methods. But given that many of the students were still trying to figure out how to write a decent summary, how to come up with an interesting thesis, what to do with evidence etc., I eventually decided that I just didn't have the time to tackle the difficulties caused when I introduced these terms. Here are just a few: 
		    
              - The       students thought that learning the meaning of the words logos, ethos and       pathos was the point of the class.
 
	         
		    
              - Students       sprinkled the words logos, ethos and pathos into every assignment, randomly       and without any due consideration of where they might end up.
 
	         
		    
              - Students       thought that they could dispense with any consideration of the ideas in an       essay, as long as they were able to identify an appeal to pathos.
 
                 
               
		      - Students       thought the words logos, ethos and pathos could stand alone, sort of like the word GOD, the       meaning self-evident, requiring no explanation or elaboration. 
 
                   
		        “King does an excellent job of describing the situations of the southern       states.  He talks about how they       are still very racist and “sweltering with the heat of injustice,       sweltering with the heat of oppression (320).  This is an appeal to pathos.” 
	         
		    In other words, students had a hard time getting to  grips with what the terms meant, their search for examples of each distracted  them from a consideration of the ideas in a text, and they used them as  shortcuts to avoid a more precise, elaborated (and therefore more difficult)  articulation of the effect of a particular rhetorical strategy. 		     | 
		 
       
	  
	   Argument For: 
	 Coming into PDP, I'd never taken a rhetoric course.  We had a course in college that essentially  combined composition and gen ed lit.  So during PDP, I was partially looking for  someone to define rhetoric for me.  In my experience, the only thing that we covered in the  orientation about that made "rhetoric" different from the composition courses I'd  taken were these Greek terms. So right away I found myself thinking of these words as something  that made rhetoric different from other "English classes".  I wouldn't be  surprised if this attitude that I had was shared by some of my students and that would explain  why they initially struggled with the terms. 
         
      In my first semester, I taught these terms as I was taught them in PDP;  essentially I defined the terms and gave my students examples.  And the response I got  was very similar to the one described in the response above. 
	   
      However, I don't think that experiencing this type of reaction one time is a  good enough reason to give up on teaching the terms.  Rather I think that the terms  need to be taught in concert with the teaching of a method of how to use them. 
         
      I only began having success with teaching these terms when I started teaching  them as tools a rhetorician can use, rather than as names for different types of  arguments.  And I gave lots of examples of how different professions use tools in different  professions to accomplish different effects. So for example, a doctor will use  surgery to combat certain types of illnesses and medication to combat others. I tried to  tell my students that when we look to analyze anything, we're looking to see the choices that  were made, how they work, and why these strategies might have been chosen. And I  stressed that a thorough analysis includes all of these parts.  So for example, if we were  looking at the doctor's performance, we'd look to see how she utilized the tools available to  her to accomplish her goal of curing patients. 
	 I found music the most useful too to demonstrate how we can talk about  the tools someone uses as a method of analysis.  Playing different versions of the same  song, demonstrates how different artist wanted to express a similar message in drastically  different ways. In these cases, students can talk about the decisions to use a slowed down  acoustic arrangement can make when compared to an up tempo electric arrangement.   Moreover, they generally recognize that simply stating the difference between the two songs is  not enough.  My goal in using this analogy is to get students to consider how  an author is choosing to build  up an ethos for him/herself in one argument or appeal  to pathos in another and how identifying those tools helps us understand the message behind  the argument and to make decisions about its effectiveness. 
 
This approach yielded better results for me, which indicates that when taught  in a certain way, these terms can help your students perform sophisticated  analyses.  So I do think the terms should be taught with an understanding that students are not  learning a method of analysis.  Rather they are learning vocabulary which will aid in  their analyses. 
 
Two final quick, but not unrelated comments.  First, I think that when in  the semester these terms are taught can make a big difference.  If this is something  that students learn early on, I could see them thinking that learning these terms is the  point of the class, but if a method is taught and then later on in the semester these terms  are introduced, it may give students who were struggling to find ways to talk about  argument  
more of an appreciation for the terms as tools for them to use. 
 
Second, I think that the strangeness of the terms may encourage the attitude  that students have done what they were supposed to do simply by learning to define  and identify them.  I imagine that if I taught the terms "largo" and  "allegro" instead of talking about a slow or fast tempo in music, students would focus on the  strangeness of the words rather than the use of them in analyzing the music.  So I think  that the use of  
these terms should be made explicit to combat this tendency.  It might  also be useful to simply teach the terms as credibility, logic, and emotion. 
 
    	
      | 
      | 
     
		  
		
	   
         | 
		 
		  
		  
		  
            
		     
		  
		  
            
		     
		   
		    .  
			 
			 
		      
			           
	      
  | 
           | 
         
       	
		
          
            The Handbook  for Teachers further elaborates the course goals as helping  students develop the ability to: 
                
                  - Use flexible appropriate processes for writing, speaking and reading
 
                  - To understand and use basic rhetorical concepts 
 
                  - To write and speak analytically about controversies
 
                 
                
              (For a more detailed description  of these three related objectives see the Handbook, p3-4)  | 
           
      | 
          |