Min Tian
   Books Published
Book Cover The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror (London: Palgrave Macmillan, 2018).
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Book Cover Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (New York: Palgrave Macmillan, 2012).
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Book Cover The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre (Hong Kong: Hong Kong University Press, 2008).
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Book Cover China's Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894-1961 (Lewiston, NY: Edwin Mellen Press, 2010).
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Book Cover Shakespeare and Modern Drama: from Henrik Ibsen to Heiner Müller (Beijing: China Social Sciences Press, 2006).
ISBN 750045399X
Contents in Chinese   Contents in English
   Articles in English
  "Lady Precious Stream: A Chinese Chinoiserie Anglicized on the Modern British Stage,” Comparative Drama 51.2 (2017): 158-186.
  "How Does the Billy-Goat Produce Milk? Sergei Eisenstein’s Reconstitution of Kabuki Theatre,” New Theatre Quarterly 32.4 (2016): 318-332.
  "Edward Gordon Craig’s Two Collaborators: Michael Carmichael Carr and His Dutch Wife Catharina Elisabeth Voûte,” Theatre Notebook 70.2 (2016): 123-144.
  "Authenticity and Usability, or 'Welding the Unweldable': Meyerhold's Refraction of Japanese Theatre," Asian Theatre Journal 33.2 (Fall 2016): 310-346.
  "Theater of Transposition: Charles Dullin and the East Asian Theater," Comparative Drama 48.4 (Winter 2014): 333-370.
  "Gordon Craig, Mei Lanfang and the Chinese Theatre," Theatre Research International 32.2 (2007): 161-177.
  "Adaptation and Staging of Greek Tragedy in Hebei Bangzi (one of the traditional Chinese theatrical forms)," Asian Theatre Journal 23.2 (Fall 2006): 248-264.
  "Stage Directions in the Performance of Yuan Drama," Comparative Drama 39.3/4 (Fall/Winter 2005-06): 397-443.
  "Chinese Nuo and Japanese Noh: Nuo's Role in the Origination and Formation of Noh," Comparative Drama 37.3/4 (Fall/Winter 2003-04): 343-360.
  "Male Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theatre," Asian Theatre Journal 17.1 (Spring 2000): 78-97.
  "Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful," Comparative Drama 33.2 (Summer 1999): 234-269.
  "Collision and Convergence: Mei Lanfang's Cross-Cultural Performance Experience," Theatre InSight 9.2 (Fall 1998): 51-59.
  "The Reinvention of Shakespeare in Traditional Asian Theatrical Forms," New Theatre Quarterly 55.3 (August 1998): 274-284.
  "Who Speaks and Authorizes: the Aftermath of Brecht's Misinterpretation of the Classical Chinese Theatre," Theatre Symposium vol. 6, edited by Stanley V. Longman (The University of Alabama Press, 1998), 86-97.
  "'Alienation-Effect' for Whom? Brecht's (Mis)Interpretation of the Classical Chinese Theatre," Asian Theatre Journal 14.2 (Fall 1997): 200-222.
  Review of Worldly Stage: Theatricality in Seventeenth-Century China (by Sophie Volpp), Theatre Research International 38.2 (2013): 172-173.
  Review of Shakespeare in China, Theatre Journal 49.4 (1997): 550-551.
   Articles in Chinese
  美国的中国戏剧研究 (Studies of Chinese Theatre in the United States), in 《北美中国学研究》 (Chinese Studies in North America), edited by 张海惠 (et al) (北京: 中华书局, 2010)
  "Gorden Craig, Mei Lanfang and the Chinese Theatre," 《文艺研究》 (Literature and Art Studies) 5 (2008): 72-83.
  "'The Peopled Wound': Pinter and Shakespeare," 《书城》 (Book Town) 2 (2008): 96-100
  "'The Theatre is Oriental': French Director Mnouchkine and Asian Theatres," 《文艺研究》 (Literature and Art Studies) 11 (2006): 90-105.