What is Morris’s tone in addressing his audience?
What are the “lesser arts”? Why have they been relegated to an inferior status, and what effect has this had on the creation of art? On society as a whole?
Where should we look for “art”? According to Morris, how can one judge whether something is beautiful or ugly? (Is this easy to determine?)
What would be the effect of an absence of pleasure in making and using decorative art? What change in “the curse of labor” would follow from freeing people to create art?
Who have built the great monuments of history?
What changes in the nature of art have been brought about by the modern division of labor?
What will be the consequence of the death of some of the arts? If art should leave the world for a time, what would happen?
What does he call on his audience to do at present? What should be their attitude toward the land they inhabit?
What is the best method of education for a decorative artist? Why would this have needed emphasis at the time?
According to Morris, what is the relationship between a society’s art and its economic structure?
What change does he think is needed in the making of goods? Who is responsible for the making of inferior products, and what should be the remedy? What should be the foundation of a new taste, devoid of the craving for show and luxury?
What are some hypocrisies behind the respect for “fine art” at the expense of concern for other forms of beauty? What has happened to the landscape, air and water?
What are the consequences of the claim that “I do not want art for a few, any more than education for a few, or freedom for a few”? What ideals does he offer at the essay’s conclusion?
What forces may suggest that some of his ideals are possible? Would other nineteenth-century thinkers have agreed with him?
To what extent might Engels and Marx have agreed with these views? How are their approaches different from that of Morris?
What are some differences of emphasis between this and the preceding essay?
To what audience is Morris speaking, and why does he find this topic especially urgent?
What does Morris believe is the danger that faces civilization? Why is this an especially pressing danger in the late 19th century? Would Marx have agreed?
What arguments does Morris use to rouse his listeners to action? How would you describe his style?
What does Morris mean by "art"? How does this broadened definition alter the scope of his concerns?
What does he criticize in the notion that those who fail economically are responsible for their plight?
What does Morris think was preferable about the art of the past? What tendencies of Victorian life and artistic/social hierarchy does he deplore?
According to Morris, what has been the result of the introduction of machine-driven manufacture? What should have been its effect?
What conditions of life for workers does Morris especially deplore?
Why does Morris associate “competitive commerce” with anarchy and war? What does he see as the workers’ sole alternative?
What should be our motive in desiring change?
How does Morris end his essay? What does he call on his audience to do? What will bring about the union of “a hundred million, and peace upon the earth”?
Do you think this essay is effective as an example of social/political rhetoric, and if so, why?
Morris and Marx were acquaintances and aware of each other’s ideas (Marx 1818-83; Morris 1834-96). What are some similarities in their approach to issues of social organization? Some differences? Do all of these share a belief in internationalism?
For a full set of questions, chapter by chapter, see Pater, The Renaissance.